Today I want to share some very concrete experiments with you. A way for you to come into that place of flow, and having some guidelines so it feels safer to let go of control.

The first experiment is a very good way to start, you can use it if you feel a little doubtful, a little tired or not really inspired. When you do this experiment, it will make you forget time and space as you go deeper and deeper into the moment.

Lisen’t to this video, where I share my process, or read the blog post.

1) Take 5 pieces of paper, and a timer. Use all the drawing materials you like, I’am very fond of molotov markers, and then I spice it up with pencil, coal, ball pen, and whatever suits me.

2) For the first piece of paper you set the timer to 2 minutes. When the time is out, you take the next paper and set the timer to 4 minutes, and then you continue expanding with 2 minutes for each new paper, till you reach 10 minutes for the last paper.

It’s very interesting how it will free you, when you have the limited timeframe, and the fact that you shift the paper and have to start all over each time, makes your approach more fresh. It allows you to stay open, and to dare to try out new ideas, not thinking so much of the outcome.

As I said before it will take you into the present moment. It will take you out of your mind, out of doubt, self sabortage the urge to have it all planned. You will be abel to feel, maybe just for some moments this relaxed state of joy, excitement and flow. If you feel the urge, you can go on expanding with 2 minutes, as many times you wish, or you can make your own experiments if it works better for you. Maybe you want to do it quicker, so you can expand with only one minute. You could also begin with pencil, and then take a second round on the same papers, then using markers, or paint. Don’t take the experiments as another rule, just take what resonates, and play around with making your own experiments. Your own rules.

But it’s not only a great way to get into the flow, you also end up with 5 pieces of work. Some of them you might want to keep as they are, the others you can use in new works, taking them to the next level.

Be open for the things that comes to you unexpected. The things you didn’t plan. Very often it is in that we wasn’t looking for, that was what we needed.

Use the drawing that failed. Use the outcasts of the paper cuts. Use the other side of the paper. Don’t care about how it will look like. Falling on purpose. Make yourself fail. Do something that you haven’t tried before.

Don’t hang on to the good results, don’t hang on to the bad. Let it all go in every moment. Maybe it is difficult for you to really fail, because you are too good at covering it up. Let it really fail. You can’t still make it fail? Wow, then you don’t have to be so afraid. That’s the whole thing. You have to experience that you can’t fail.

Everything is perfect. When we go beyond our bonderies it’s where magic are, where we think we will fail, we will succeed.

I will explain how I used the form of my original drawing as a skabelon, not for you to do exactly the same, but to show you some tools you can use in your own process. Also it gives you an idea how to look for new ways to approach your work.

1) I started by cutting one of my quick drawings out from the first exercise. Placing it on a bigger seized paper. I wanted an equal seized form to oppose it, so I made an outline of the drawing on another paper.

2) I looked for some materials, and found an old canvas with a wonderfull sky blue paint on it. I just thought it would be so good togheter with my drawing. I used the negative paper form as a skabelon, and cut the form in the sky blue canvas. I also tried to use the backside of the canvas, but it looked too pale to me. I really like to use different materials in my drawings, it gives another rawness to the work.

In my work I like to work with contrasts and dualities, and them bind them togheter in a kind of symetry. I have the urge to create balance between the different aspects of myself. To get the differences to “speak” to each other, to get an inner dialog and acceptance between the different aspects. To focus on the form instead of the lines, is a very simpel hack. The two ways of working complements each other, as much as they opposes each other.

Hope you could use these tips. Have a lovely day.

I’am teaching in “how you can free yourself in the creative process”, go to workshops, to read about my courses and workshops. Next ones is in August 2019.

I’am sharing this information to you freely, from my own experiences. Hope you can use it in your own process. Any donation, is deeply appreciated. :-)