Do you sometimes feel stuck in your creative process?? In this video I will give you some practical tips on how you can work through this feeling of being unable to progress.
1) How working on several pieces of work can release the expectations.
2) How we need to learn to let go, in order to create.
3) Why do we meet fear in the process?
4) How to recognize your inner critic, and start a dialog.
1) How working on several pieces of work can release the expectations.
In this video, I will show my own creative process working on 4 pieces, and shifting between them.
So make a little experiment. Take 4 pieces of paper. Start as normally. When you are stock in your process, put the piece you are working on aside, and start with a fresh new paper. Now you continue on the new paper until you feel stock again. You do this at least 4 times.
As soon as you feel a little resist full, a little nervous on how to continue, you change paper.
Now you got 4 works in progress. Can you feel it? It feels freeing to not have so much pressure and expectations of the one artwork. Now go back to the first one, and continue with that, for as long time as you are inspired. Then shift again. It doesn’t have to be in order, you just continue on one of the drawings you feel most compelled to work on.
You can do this every time you feel stock in a process.
The next thing I will talk about is
My four pieces of work, which I worked on simultaneously.
2) How we need to let go, in order to create.
We have to let go of something to hold space for new things to come in. But this is one of the most difficult things. To let go or actually destroy part of our work, which we might like but doesn’t fit. Or which is very nice, but it doesn’t ressonate, it doesn’t feel right.
Sometimes this niceness is more of a barrier than the ugliness. Most of us have a tendency to making it too nice. But when we hide ourselves behind this nice work, we are not real. Many times this feeling of stockiness comes because your work is so nice, that you don’t dare to destroy it….you don’t dare to put another line on that work in case you will destroy it all. It’s this kind of feeling that it’s okay, everything is there, but it’s a little boring. But it’s when you are showing all sides of you, not hiding whats raw and what you don’t understand, that your work gets unique and real. So just do it, let it go, don’t be afraid to change your work, to make mistakes. Experiment, play, make it funny. Use the exercise I just showed you, to work more quickly and to release this anxiousness. This resistance, which is nothing but fear.
Marie J.Engelsvold. “It’s inside” 21 x 29,7 cm. Acrylic marker and paper cuts on paper. 2019
3) Why do we meet fear in the process?
Fear is a factor we meet all the time. Especially when we are expressing ourselves through art.
What you are creating is a reflection of you. You express yourself through your work. Why are we artists and creators always so vulnable around our work?? Because we are sharing from the depth of our souls. Because we have to go deep, to get to the exciting stuff. If you only express the nice things, the work will get boring. Because art is a really good channel to release some of the things inside of you, which are very difficult to put into words. In the creative process we are connecting with our deep wounds and our shadow side.
Thats why it sometimes can be so provoking to use a certain color, or material because it is triggering something inside of you.
Maybee some part of you don’t like pink, or think it’s not a proper color for your work. But another part of you, feel this urge to use this color. You know it takes much more energy to say no I am not allowed to use pink, I can’t stand that color. Do it eventhough you are afraid. I know it sounds kind of stupid, to be afraid of using a color. But I think all artists and creators know what I’am talking about. It’s only you who sets the limits of what is possible. It’s you who are putting yourself in a box, and it’s only you who can open the lid.
But sometimes everything is easier when things are “black and white”, we set up some rules for ourselves, and then we think we are safe and “know” what we are doing. But suddenly it seems impossible to do anything else. Because now we have boxed ourselves into a category, and we have put on this nice label. It’s like we sometimes feel more safe to tend to a certain believe system or organisation and we adopt everything they stand for. It can feel very safe at first, because now everything is in the right order. Now we have someone or something outside of us, to tell us what is right and what is wrong. But in reality we are actually afraid of chaos, we are afraid of the dualities in ourselves, the diversity. The things we don’t want to face in ourselves? The many shades and facets of our selves.
Marie J.Engelsvold. “no fear” 29,7 x 21 cm. Acrylic marker, pencil and paper cuts on paper. 2019
The same goes for our art. Don’t be afraid to show all the shades inside of you. I have a funny example from my own process. Sometimes I go for a long time and want to use a certain technic, a new material or a color. But I can’t do it eventhough I want to, I feel this resistant in my body. For as long as I have been working with art, I didn’t use purple.I just didn’t like it. But last year suddenly I just was ready for purple, and it just poured out of me. It’s a very strong color, I see that, and it has a history of both being very royal, a color for the elite for the aristocrats for the church. But on the other hand it’s also associated with being some kind of a hippie, very laid back and all about new age and being very alternative. So the color is not for the weak, you have to say something with purple. Thats just my own interpretation.
Marie J.Engelsvold. “Trophy of self love” & “Revealing my new self”. 100 x 70 cm. Acrylic paint on paper. 2018.
But this resistant is nothing but fear, fear of showing a certain part of yourself, fear that nobody will recognize your “style” anymore. But you can’t run from yourself. You can change style as you like it, but you can’t change that you did it. I have changed my expression so many times, and sometimes I think nobody will think I did this. But very often people who knows your art can recognizing your signature. And you think you made an enormous shift when you shifted from using a acrylic marker to a brush with paint. For most of us it’s hard to change, and when we change something we think everybody will notice. So just do it, it’s not dangerous and it’s still you who did it.
Experiment. “The garbage bin”
1) Try to let the things you are afraid of out. Afterwards it’s easier. Do it on another paper. Take a paper and let everything out on that. Use it as a kind of garbage bin. Every time you are afraid of doing something on the piece you are working on, do it on the “bin paper” It’s actually freeing, and sometimes the bin works turns out really powerfull
Marie J.Engelsvold. “Covered in a kind of me” 29,7 x 21 cm. Acrylic marker and paper cuts on paper. 2019
4) How to recognize your inner critic.
It’s interesting to dig a little deeper into our own fear pattern. We can call it the inner critic. When you have more clarity on what triggers you, it’s so much easier to look that fear in the eyes, and work through it. When you let the fear out on the paper, or in other creations it will not be so mean.
Have a notebook at your side, while you are creating. Write down every time you hear that inner critic whisper something in your ear. What does the fear say to you? It’s a really good idea to talk with the inner critic in words, because it tends to be mental. Many times the inner critic comes from our parents and our teachers from school, all the thing we have learned about right and wrong and good and bad. Eventually it turns inward, and we think it is our own thoughts. Another funny thing is if we believe in what the inner critic has to say, we tend to meet persons in the outer world who reflects these things about us, back to us. But most of all it hold us back, and the inner critic is not you.
Here are some examples from my experience:
1) You don’t master that technic.
2) It’s not good enough.
3) It’s not interesting enough.
4) It’s a waste of time
5) No one needs your art
6) You didn’t attend the right art school
7) You are not a real artist
8) You are a failure
9) People don’t like your art.
Now try to give an answer to that fear, to that critic voice inside of you.
1) No, maybe I don’t do it the “right” way after some official rules. But I do it my way, I’am a creator and everyway I decide on is the right way. Do you get nervous when I don’t follow other peoples rules?? You don’t have to be afraid, I know what I’am doing.
(If you feel that the critic voice are right, because sometimes we might be benefitting in taking a course in a certain technic, because it will help us to express ourself in a better way. Of course don’t hesitate on learning something new. Just be aware that you don’t do it out of fear, but out of a feeling of expansion, and curiosity and positivity.)
2) Well, it is actually good enough for me. I accept this artwork, it’s just perfect the way it is. I felt so much joy and excitement doing this. I discovered so much in this process.If you don’t find it good enough, it’s okay with me, I don’t have to please other people with my art.
3) Okay. And what is interesting?? Something you read in a book?? Do I have to write 2 pieces of paper abothis artwork?? I think it’s interesting because I have put myself into it. I think actually I’am interesting enough.
4) This is the best way I know to waste my time. Totally absorbed in my work. Using all of me to create in the moment.
Is it because you are afraid I don’t earn enough money on it?? You know what, I’am making space in my life for what is most important for me. I’am not waiting to live my life until I go on pension. I don’t have a boring daytime job, dreaming about making art. I do it now. This is my life.
5) Well, I have many good examples of people who has been very positive around my work, that they actually felt the same playfulness and joy as I felt while creating it. They can feel the vulnerability and the sadness too. I have had many good and deep talks with people about my work. Also the fact that how it is to live like an artist, to do what you feel compelled to do. To show up with yourself and your work in all it’s aspects. I think we need art as a reminder of all the things that are not material or practical, but is essential. We need to feel interconnected and share feelings to feel alive. Thats important.
6) No, I didn’t study at an art academy. I went to Graphic design school. But I knew all along I wanted to make art, but I didn’t dare to go to that art school. But now years later, I can see that it’s easier to remain free when you have not learned all the right codes in the art world. Because you don’t become an artist just because you go to the right school. You become an artist because you do art as a praxis.Because you are committed.For me to make art is most of all about unlearning, to get to the core of whats me. To free myself of all the right ways. Because I’am good enough.
Can you see what I’am talking about. Get to know your fear. Discuss a little. Have a dialog. So next time you hear that fearful whisper, stop it. Don’t allow it to sabotage you.
Hope you could use this information. Have a very nice day, in a way so it’s not only nice, but a day where you can feel free to be you.
I’am sharing this information to you freely, from my own experiences. Hope you can use it in your own process. Any donation, is deeply appreciated. :-))
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psycological aspects
25
- May 26, 2020 Holding your flow.
- May 6, 2020 The world is yours.
- Apr 22, 2020 Let your heart decide.
- Apr 18, 2020 Create from your self.
- Apr 4, 2020 Expand your own signature.
- Oct 9, 2019 How to shift out of the 3d perspective.
- Sep 20, 2019 What is it, to be grounded?
- Sep 10, 2019 How to follow your own flow.
- Jul 28, 2019 Releasing your resistance to the moment.
- Jul 15, 2019 Don't wait for life to be perfect, let go of control.
- Jun 1, 2019 How to raise your vibration, through the creative process.
- Apr 1, 2019 How embracing all parts of you, will help you in your art making.
- Feb 20, 2019 Don’t resist the moment. Live your dream.
- Feb 10, 2019 Why are we so hard on ourselves?
- Feb 1, 2019 It's okay to say NO.
- Jan 2, 2019 Let yourself shine in 2019 :-)
- Nov 22, 2018 Look at your obstacles as adventures.
- Feb 2, 2018 How to stay in the process?
- Dec 20, 2017 Slow down
- Dec 12, 2017 There is no "right" way.
- Dec 5, 2017 Why it's important to unlearn.
- Oct 12, 2017 Let your feelings be your guide.
- Sep 5, 2017 Don't be afraid of change:-)
- Sep 5, 2017 Express your feelings
- Sep 5, 2017 Can drawing be a kind of meditation?
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Turtorials and tips
12
- May 15, 2019 How to take your drawings, to the next level.
- Apr 30, 2019 Be bold, let your light out.
- Apr 6, 2019 How to start your drawing praxis.
- Mar 8, 2019 What to do when you are stucked in the creative process??
- Feb 13, 2018 How do you work with composition?
- Jan 8, 2018 Make a kickstart.
- Nov 20, 2017 Go bigger.
- Nov 8, 2017 What is your drawings all about?
- Oct 31, 2017 Wait!! Before you throw that drawing in the bin!!!!!
- Oct 12, 2017 Find inspiration everywhere.
- Oct 12, 2017 Experiment with shapes and lines.
- Oct 12, 2017 Want to find your own visual language ?
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video
7
- May 15, 2019 How to take your drawings, to the next level.
- Apr 30, 2019 Be bold, let your light out.
- Apr 1, 2019 How embracing all parts of you, will help you in your art making.
- Mar 8, 2019 What to do when you are stucked in the creative process??
- Feb 20, 2019 Don’t resist the moment. Live your dream.
- Feb 10, 2019 Why are we so hard on ourselves?
- Feb 1, 2019 It's okay to say NO.
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turtorials
1
- Apr 6, 2019 How to start your drawing praxis.